Self, Social Media, and What’s Real

Dear Friends,

This week, I suddenly became terribly sick of myself.  Let me explain—I’m not sick of the self who hikes, writes stories, reads with my kids.  I am sick of my facsimile-self, the one I trot out on social media platforms and in letters to editors and bookstore owners.  In the midst of promoting my first picture book, I am making myself literally nauseous.

This practice of being real with myself and others—I thought I had it figured out after the tumultuous, navel-gazing teen and early-twenties years.  And I’m thrilled that I’ll soon hold my first picture book.  But as a person who hates yammering on about her own work, the endless self-promotion required of writers these days makes my stomach churn.  It’s like gazing into a mirror too long, like snapping too many selfies (like the endless shots I find of my tween on my phone). In a culture where we’re trained to post carefully selective snapshots of our lives, I’ve been wrestling with this question:  How do I remain authentic in a society where, to get things done, to promote, you must adopt a certain measure of—well, if not deception, then slant?

In the Atlantic article “How to Hire Fake Friends and Family,” Roc Morin interviews Ishii Yuichi, the founder of “Family Romance,” a Japanese company that hires out actors to anyone who is willing to pay enough.  Say Thanksgiving rolls around and your prospective in-laws are looking forward to meeting your mother.  But she’s embarrassing: chews tobacco, swears audibly, shouts about politics.  Worry no longer!  Simply hire an actor who will play the perfect mom.  Yuichi has played the parts of loving fathers, acceptable husbands, perfect boyfriends.  His company has provided supportive colleagues, fall-guys, even healthy partners (complete with cheat-sheets of memories) to lonely people whose spouses are suffering dementia.

While Yuichi admits to occasionally feeling badly about long-term gigs (he’s been playing father to a girl who fully considers him her real father for years now), he defends his company by explaining that providing short-term comfort for people in an unjust world is legitimate.  As for being deceptive, he points out that culture is already on that bandwagon:  “I believe the term “real” is misguided. Take Facebook, for example. Is that real? Even if the people in the pictures haven’t been paid, everything is curated to such an extent that it hardly matters.”

But today, wearied from too much time on social media, I know that it does matter.  It matters deeply to me that I am known and know others in a real way.  As I walked down a sodden path in the park with my dog, I finally articulated exactly how I felt: lonely.

Of course though social media is new, the tension between appearance and authenticity has always been an issue.  Van Gogh spent much of his life wrestling between the poles of who he was (many dismissed him as a ne’er do well) and the pressure to appear successful.  In this letter to his brother, Theo, he vacillates between begging his brother to understand him and defending his authentic, searching self:  “What shall I say; our inward thoughts, do they ever show outwardly? There may be a great fire in our soul, but no one ever comes to warm himself at it, and the passers-by see only a little bit of smoke coming through the chimney, and pass on their way.”

I love to think of the fact that many years later, I, with countless others, come to warm myself at Van Gogh’s soul as I read his letters.  In his words, often wrenching, often beautiful, I find a friend.

Sometimes our feelings of isolation go deep, beyond the reach of friends, and today at the park I felt that. So I told God: “I am lonely today.  Sit with me, please.”

And as I write to you today as honestly as I can, without tipping the camera to block out the pile of laundry on the floor or turning my face to show you my ‘best side’ or trying to convince you to buy something, I invite you.  Today, slow down; be present to yourself and to others.  Pursue genuine, authentic, communal soul-building.  Step up to the hearth, take a deep breath, and warm yourself.

Peace,

Kim

P.S. As always, we love your comments and interaction!  Please leave a message–and thank you!

Consider: This Good Work of Ours

Dear Friends,

Recent events have wound me tightly.  I’ve been worrying over my middle school daughter’s ineptitude with homework, fretting over a new lump in my breast, mourning the passing of our neighbor’s dog, and opening my newsfeed with a pit in my stomach.  On Monday morning, standing in front of the bathroom mirror, reflecting on nuclear war, undone English assignments and mammograms, my heart began to pound.

“I am battling the approach of a panic attack,” I realized.  I’m not alone.  In her article, We Can’t Survive in a State of Constant Agitation, Sharon Salzburg tells the story of Jeanine, who wakes in dread to the news on her phone. Fearful that she will miss anything, she lives her day agitatedly glued to a screen:

“She would not respect herself if she turned a blind eye to the painful truths of the world, but the world breaks her heart.  This habit does not do anything to help her change the things she is so concerned about.  In many ways, it substitutes for action.”

I found Salzburg’s article right after reading about the devastation in California.  Okay, I thought, time to shut my computer.  Time to act.  But how?

My vocation lends itself to contemplation more than action, which is often a source of much consternation for me.  Growing up in a family of do-gooders (in the best sense), I struggled with my identity.  I felt as though I was put on earth to find beauty, to listen to it, to write it.  Such work is so often unquantifiable (hundreds of pages scrapped, hours of quiet seeing and being that seem to help exactly no one).  And though my work takes me right into the middle of suffering, my actual output can feel ineffectual and insignificant.

But this work–writing and being–is what I have been given to do.  So this week, I took action.  I met with people and laughed, prayed, talked and listened.  I went for long walks in the woods.  I knelt down next to my dog to see the world from her eyes.  I stopped to wonder at the way the sun lit golden oak leaves.  I made an appointment for a mammogram.  I helped my daughter with her homework.  I said goodbye to my neighbor’s dog and then I picked a bouquet of flowers from my fading garden for their family.  I did laundry and made dinner and wrote.

And I tried to love it all, like so many people have before me.  I take strength in the odd, unquantifiably wonderful lives of people like Van Gogh.  He never knew that his work would amount to much but understood that living in this world is a complicated, messy thing that has less to do with productivity and more to do with the immeasurable.  “It is good to love many things, for therein lies the true strength,” he wrote to his brother Theo,  “And whosoever loves much performs much, and can accomplish much, and what is done in love is well done.”

At the beginning, and middle, and end of all things, this is my sacramental work, and your work too.  So if the world ends in a blinding flash while I am sitting next to my daughter at the kitchen table; if I am standing in a glade of young alders with my dog; if I am here, at my window, writing; I want to be loving fiercely all the while.  For I have found that living well in the mundanity of the day-to-day requires great courage and audacious love.

So wherever you are this week, whatever you are doing, may you have the strength to turn from fear to love.  May you choose to hope.  May you seek wisdom to do your work well.  And may you find joy in this good, infused world.

Peace,

Kim

P.S.  What is the good work you have been given?  We would love to hear from you.  Please leave a comment on our blog, Facebook, or send us a note .  If you’re on Instagram, use hashtag #thisgoodwork.  You can find our daily Instagram posts, with quotes from inspiring people and photos of daily wonder, at each_holy_hour.

P.P.S.  For further reading to help you in your journey this week, I recommend these articles:
We Can’t Survive in a State of Constant Agitation by Sharon Salzberg;
Vincent Van Gogh on Art and the Power of Love. . . by Maria Popova;
The Hollowness of Autumn Leaves Space for Light, by one of my favorites, Parker Palmer.
Oh, yes, and this one:  You’ll Never Be Famous, and That’s Okay by Emily Esfahani Smith