What is Necessary

Dear Friends,

Last week, as the third snow day in a row dawned, I began to find myself deep in a malaise. Here in Western Washington, I’ve grown accustomed to the sharp contrast of evergreens and slate skies; even on the bleakest days, spruce and red cedar encircle us, setting off white-capped mountains on the horizon, the steel grey of the Sound. But day-after-snowy-day, the pallette was limited –  white ground, white trees, white sky.

Somewhere during the week, I found my mind growing hazy. Words seemed laborious and slow. I found myself opting for the ease of news articles, weather coverage and Instagram photos, all available with the swipe of my finger.

The torpor increased until I finally unearthed myself from the warm, comfortable couch, tugged on my boots, and opened the front door. Outside I found my neighbors busy tromping about with sleds. One had built an igloo, another a ski slope. A long walk, slow going and inefficient over unploughed roads, pulled me out of my languor and into participation with the world again. There was so much beauty at hand and underfoot. A pile of snow sloughing off a pine, two small boys attempting to shovel ice from the road. Even the small imprints of the dog’s paws were enchanting.

It’s moments like these that I remember a simple walk can be a choice for good. It’s become harder and harder to keep an internal sanctuary, to hold a space that isn’t crowded out by the relentless, ubiquity of blaring cultural input. The continual cacophonous assault of modern life conjures a sort of spiritual haze similar to the mental one in which I found myself after three days of snow.  

“Wilderness isn’t a luxury but a necessity of the human spirit,” writes essayist Edward Abbey. While Abbey may have been referring to those untrammeled wild places on the far corners of the map, there’s a wilderness within each of us that is threatened to be paved over by the blacktop of wall-to-wall cultural inputs. Like a wilderness of dark woods and winding rivers, our internal wilderness is in equal need of active conservation.  

This is hard, morally profound work. I find that I act as an active conservator of this wilderness when I engage in the simplest things: a snowy walk, a good book, a meal with my family, a moment of gentle silence with a friend. The humble reality of these things counters the louder, slicker, flashier options that otherwise inundate my life. 

Now the snow is melting, the rain is back, and the sidewalks are ugly with slush. It’s easy to dash from the car into warm buildings, and mostly I’ve been doing just that. Yet as we returned home today from a wasteland of shops and lines, we leashed the dog and wandered out into a cold evening. The mountains were cloaked in clouds. As we walked, a truck slowed to let us cross a road; the air felt warmer, the world friendlier, and I felt held by it all.

What about you, friends?  What awakens you?

Peace,

Kim

Consider: In the Garden

Dear Friends,

Near the end of Lindsay’s three-week trip to Italy, I received a brief text that spoke volumes about how, even in the most stunning of locations, we can begin to feel adrift, anxious for something to root us to our own rhythm again–work, ritual, a familiar tea cup, a bedside table stacked with books waiting to be read.  Of course, this restlessness can strike at any moment, even in the midst of the most peaceful day at home or the most hectic week at work.

During times of great restlessness, I feel tempted to fill the questioning silence with easy, accessible noise to distract me from my soul’s discomfort.  I have a rolodex of options: a purchase on Amazon, another hour at my computer, my favorite BBC shows, or my favorite extrovert option–planning a party or at least finding a friend for coffee.  These are fine things in themselves (and I do throw a good party), but by forty, I know myself well enough to recognize my old tactics. And I must honestly ask myself: what is my spirit actually panting for?  in Luke's garden

I find the response to my question in silence and listening, sometimes simply in the act of walking into the garden, falling on my knees, and weeding.  I need places where I can be long enough to find what I need to take me through another day of living and loving the people and earth around me.  Among the poppies and the clover and the roses, I find space to sort through all that clatters in my head. With my hands in soil, I grasp a few fundamental words that orient me to what is real.  There is robust beauty there, and poems to be found, like this one I finally wrote down after weeks of carrying it about with me.

Rhododendrons, Western Washington, Spring 2018

As our plane started its descent, we glimpsed them:
Thousands of rhododendrons
spilling pink and orange watercolor across the city’s somber pallette.
I thought of what a preacher told us.
This world is a warzone, he said, You get to be William Wallace
in Braveheart.  Can you think of anything better?
Later, hands cradling three ripe plums from our tree, my husband said,
I think this world is a garden.

Did you know there are some 800 varieties of rhododendrons,
holding early morning mist in Japan,
arching sinuous branches over forgotten Appalachian footpaths,
unfolding fuchsia petals in rugged Nepalese mountains?
In my suburban town near Seattle
they sing on every street corner.

Behind our pea trellis and the raised bed
sown with cosmos
rhododendrons crowd, shoulder to shoulder,
offering nectar to bees and hummingbirds.
Some days you can see my gladness
from the air, peach- and lavender-colored blooms.
On others, I am quiet, an evergreen leaf, pearled by rain.
This is God’s garden
and today I am content to hold the dew.

Peace,

Kim

P.S.  We’d love to know what metaphors spring to mind as you think of this world we live and move in.  As always, we are honored by all your thoughts and reflections as we share this journey into wonder together.

PS2.  To see Lindsay’s actual text from Italy, please check out the Back Page.

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Consider: Calling Across the Lake

kayakSince moving to the Pacific Northwest, I have come to believe that nothing is better than “messing about in boats”–if those boats are kayaks.  I love that first pull away from shore, the transformation of clumsy land mammal to gliding waterbird.

Some months ago, I escaped the busyness of my life for a camp near Mt. Rainier.  More than anything, I hungered to be out on the lake alone.  I pushed out my kayak, paddled into deep water, and waited.  For what?  I think I wanted the lake to give me something, though I can’t tell you what it was.

The lake did not fulfill my overly simple quest for “peace and quiet.” The wind stirred the trees, birds cried, my paddle dipped into the water.  Inside my head, voices shouted and whispered and cajoled.  Still, I waited, as I often do when I enter into a wild place, for some kind of gift, some kind of salvation.

But as the saying goes, wherever you go, you are there.  Even in the midst of that expansive beauty on the lake, I felt the margins of myself keenly.  Again, I was the self-conscious human, standing outside, looking in.  Small, limited, cosmically alone, I waited.

I am–and you likely are, too–the man in Robert Frost’s poem, The Most of It, who stands at the edge of a lake and shouts.  What does he hope for?  A voice not his own, a voice to startle him out of his weary self.  What does he receive, coming back over the water?  An echo of his own voice.  He thinks he keeps ‘the universe alone,’ and in this echo-chamber, there is no escape.

Sound familiar?

“Some morning from the boulder-broken beach

He would cry out on life, that what it wants

Is not its own love back in copy speech,

But counter-love, original response.”

What saves him, with sudden, unsettling crash, is a mighty buck that pushes the water and scrambles to shore, “pouring like a waterfall,” then ploughs through the underbrush–and is gone.

What saved me that day out on the lake were the ospreys that circled high, crying, and then plunged down into the water to hook fish in their claws.  I pulled my paddle and let myself glide, absorbed in watching the birds dive and call.  For just a moment, the multitude of things that clamor for my attention died away in the stunning scene before me.

This world shakes me from myself again and again.  Some days, of course, my walls are simply too impenetrable.  But I keep calling across the lake, waiting for that encounter with the Other.  And all I have to do, most of the time, is show up.  Whether it’s pushing out a kayak or simply stepping out on my back porch, this world so often rises up with is own startling presence.

Peace,

Kim

P.S.  For a rather humorous behind-the-scenes glimpse of this week’s Consider, please visit The Back Page.

P.P.S.  We’d love to hear from you.  Please enter the conversation–suggestions for further reading, counter-readings of Frost’s poem–on Facebook or on the comments form on our blog. Or drop us a line.